Okay. So there were once these group of people, right, that lived in Italy in 1909. They decide to hell with the bourgeoisie, let's turn our little poetic movement into a revolution. So they write 'Le Figaro', (nothing to do with Mozart's Marriage of Figaro...) THIS manifesto called for the violent overthrow of bourgeois culture, championed for revolutionary change through the adulation of the machine and called for the annihilation of conventional culture. To say they were true anarchists would be an understatement. Now, this group had a name . And within the art and architectural world they were known as the Italian Futurists. If you've seen a work by an Italian futurist, boy, would you know it. They worshipped energy, vitality, modernity and dynamism - forces, they believed, that were propelling them into the future. And they encapsulated it in their art. This, in my opinion was the birth of cartoons - and the movement lines so essential when illustrating the coming, the going, the bouncing, the shaking.....etc. you get my point. I'm sure Marinetti is turning in his grave as I compare his life's work to cartoons, but I honestly believe that without the Italian Futurists fervour to illustrate movement, we would have probably have cartoons in a very different format. Essentially what changes each frame of the storyboard is movement. If the futurists didn't do what they did, wouldn't there be a tiny possibility that storyboarding and cartoons would just be a series of tableaux? *snore*
Anyway, the futurists, so excited about World War 1, joined the Italian bicycle brigade, and rode out to war, high on their love of machinery that would win the war ---- and blew themselves to bits. Now, if only they had BMXs......
Currently listening to : The Mars Volta - De-Loused in the Comatorium.